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The Museum of the Cell was created in 2019 from an interactive learning and art installation at Tension Fine Art. The title of that show was Cell Graffiti.
The opening coincided with the 2019 Peckham Festival. The general public and my students were all invited to visit and to look around at the exhibits. There they could explore nature in a unique way through the lens of science and art combined.
The Art Laboratory itself has teaching facilities where I hold tutorial classes and teach online, whilst the pop up “Museum of the Cell”, that I installed there, is thoroughly documented with images and four videos I made about the exhibits. These relate to four different aspects of the science of nature.
The photographs and videos below document the various exhibits and explain the ideas behind them.
Enjoy!
1) Video 1: The Camera Obscura, and how it models the eye.
2) Video 2: Bread Making Chemistry.
3) Video 4: ATP, the energy molecule.
4) Video 6: Ribosomes and Protein Synthesis.
Section 1: The Camera Obscura. When visitors first saw this exhibit, many thought it was done with electronic trickery. But it wasn’t! The light comes into a darkened room through small holes cut into the window shutters. It lands on tracing paper carrying all the colour of the outside world with it. Magnifying glasses help focus the images. The evolutionary story, which this emulates, starts with the simple light sensors of scuttling woodlice, running for cover. Higher organisms evolved with these sensors embedded in cavities allowing them to create more complicated images. In this artwork we have a multitude of eyes peering up and down Trafalgar Avenue and St George’s Way, catching the landscape outside and the occasional 63 or 363 bus juddering past.
Section 2: The chemistry of bread making. (below left) Kneeding makes the bread dough rubbery and elastic as the action causes chemical bonds to form amongst the network of gluten fibres. Yes, modern flour has perhaps been customised to have too much of this stuff! The yeast then fills this rubbery network with carbon dioxide gas!
Section 3: The DNA spiral. (above right) This intricate scale model represents the spiral of a DNA molecule wound around a broom handle. After all, this was made in an artist’s studio! The coloured beads were all painted and drilled at the right angles using a homemade jig. Here’s the thing about giant molecules. The shape of the whole all depends on the local shapes of the individual atoms and their relations to their neighbours.
Section 4: Proteins! (below) More than meat and soya, proteins are tiny microscopic machines. They move around inside us powered by the hurricane speeds of clanking molecules bashing about in our cells and various twitching legs. The large curtain of hanging ping-pong balls are designed to emulate the membrane of a cell. The balls have symbols and images written on them with felt tip and paint. They form larger patterns and sequences showing the complex machinery of proteins that grant or bar entry to any living cell.
Paintings
Paintings, September 2024 to July 2025, Sketches series. (Click for clearer image)
Paintings, Tension Fine Art July 2024, Double Vision show. (Click for clearer image)
Paintings, January to July 2022, Souls series. (Click for clearer image)
Paintings, August to December 2021, Cells series. (Click for clearer image)
I make paintings and immersive installations. The paintings are based on iconography taken from several different cultural discourses at once. The very new way of working is to make the painting (and clean up the brushes) in a 12 hour day, following a similar ethos to my endurance cycling! I get up at 6am, have a hearty breakfast, eschew all social media and reading until the day is finished and enter the studio with a cleansed mind. I work from memory, making associations in the moment. I see the quitting of a painting during that day as akin to abandoning one of my bike rides and getting the train home, in short, unthinkable!
